Style:Qing dynasty revival (Yongzheng style) doucai/famille-verte, yuhuchunping form
Origin:China
Materials:Hard-paste porcelain with underglaze cobalt blue and overglaze enamels (doucai/famille-verte palette)
Age:Circa late 20th–early 21st century (apocryphal Yongzheng mark)
Condition:Excellent (no chips or cracks visible; minimal base wear; not examined under UV, not officially graded)
Value:$80–$250 (auction, as a modern decorative reproduction)
Maker's Marks / Writing:Underglaze blue six-character reign mark within double circle: ‘大清雍正年制’ (Da Qing Yongzheng Nian Zhi), apocryphal.
Date:2025-10-07 00:40:26.728727
Description:
Pear-shaped yuhuchun-form porcelain vase with splayed foot and flared mouth, decorated in a doucai/famille-verte-type palette: underglaze cobalt-blue outlines filled with overglaze enamels in green, iron-red, yellow, and aubergine. The body shows flowering and fruiting branches (including peony and pomegranate) and the neck carries pendent plantain/ruyi lappets over a green diaper ground, with ruyi-head band at the rim and a similar border above the foot. Base with a neatly written six-character kaishu mark within double circles reading 'Da Qing Yongzheng Nian Zhi'. Bright white glaze and very clean, even footring suggest a later production.
玉壶春式瓷瓶，通体呈梨形，圈足外撇，口沿外翻。以斗彩/五彩方式装饰：釉下青花勾线，釉上以绿、铁红、黄、紫等彩填绘。腹部绘开枝花果（见牡丹、石榴等），颈部饰绿地缠枝蕉叶/如意联珠纹，口沿与足部均饰如意莲瓣式边饰。底足内以青花双圈，书‘大清雍正年制’六字楷书款。釉色洁白明亮，足圈规整干净，整体更接近后期制品的特征。
Curator Questions
Curated by Jade
Assessment:
Well-painted decorative vase made in homage to Yongzheng-period doucai wares. The extremely bright white glaze, very even and clean footring without kiln grit, and the precise, regular six-character reign mark suggest a modern reproduction rather than an imperial-period original. The palette and border repertoire borrow from Qing court styles, but execution and finish point to late 20th/21st-century Jingdezhen production. A word about fakes.. Qing imperial-marked porcelains are among the most frequently reproduced categories; authentic Yongzheng pieces would be extraordinarily rare and valuable, and typically show kiln characteristics and period enamel texture not seen here.
此件为仿雍正时期斗彩风格的装饰性瓷瓶，绘工整洁。因釉面洁白明亮、足圈规整干净且无窑渣、六字款书写端正统一等特征，更符合20世纪末至21世纪景德镇后期制品的面貌，而非清雍正官窑原作。其色彩与纹饰借鉴清宫廷风格，但工艺细节与窑烧痕迹显示为近现代制作。A word about fakes.. 清代帝王年款瓷器是最常被仿制的门类之一；真品雍正官窑极为罕见且价值极高，通常会呈现相应年代的釉彩质感与窑烧特征，本品未见此类旧痕。
Individual Images:
Second image shows the base: unglazed footring is even and clean
ivory-beige in tone with minimal grit; interior of foot shows bright white glaze pooling. The mark reads 大清雍正年制 in neat kaishu within double blue circles—very regular and likely applied with a standardized hand or transfer. The decoration includes a ruyi-head band at the rim
green-ground lappets on the neck
and a matching lappet/ruyi border on the foot. No visible firing flaws
chips
or restorations; the pristine condition supports a modern date.
Provenance:
No provenance provided.
Condition:
Excellent (no chips or cracks visible; minimal base wear; not examined under UV, not officially graded)
Identification Score: 92%
Form, palette, border patterns, and the six-character Da Qing Yongzheng Nian Zhi mark clearly identify the object as a Chinese yuhuchun porcelain vase in Qing Yongzheng style; details leave little doubt about the type, even if not period-made.
器形、用彩、边饰及‘大清雍正年制’六字款均明确指向清雍正风格的中国玉壶春式瓷瓶；即便并非同时期官窑制作，其类别判断基本无疑。
Authenticity Score: 20%
The crisp, standardized kaishu reign mark within perfect double rings, very clean and uniform footrim, bright modern glaze, and overall finish are typical of late 20th/21st-century reproductions from Jingdezhen. Without period enamel texture, kiln grit, or convincing age wear, an imperial Yongzheng attribution is highly unlikely.
青花双圈内的六字楷书款极为工整标准，足圈洁净规整、釉面亮白，整体做工呈现近现代景德镇复制品的特征；缺乏时期釉彩肌理、窑渣及自然旧痕，判为雍正官窑真品的可能性极低。
Image Memory Note
Object: Porcelain yuhuchun-form vase, pear-shaped body, tall neck with a raised fillet ring, flared lip, and splayed foot. Decoration: Under-glaze cobalt outlines with overglaze enamels (greens, iron-red, yellow, aubergine). Motifs on body include flowering and fruiting branches—clearly peony blossoms and what appears to be pomegranate fruit with crown calyx; leaves rendered in green with blue outlines. Neck decorated with a green diaper ground and pendent plantain/ruyi lappets outlined in blue and filled with green and red accents; rim has a ruyi-head scroll band in blue and yellow; foot has a matching border. Base: unglazed, even footring; interior glazed white with slight glaze pooling. Mark: six-character kaishu within double blue rings reading vertically right-to-left ‘大清雍正年制’. Condition: no visible chips, cracks, or hairlines; no crazing; minimal wear on foot edge. Overall look: very bright white glaze and crisp, standardized painting.
物件：瓷质玉壶春瓶，梨形腹，长颈带一周凸棱，口沿外撇，圈足外撇。装饰：釉下青花勾线，釉上彩以绿色、铁红、黄色及紫彩为主。腹部为开枝花果纹，可见牡丹花与石榴果，叶片以绿彩填绘并以蓝线勾勒。颈部为绿地锦纹，垂饰蕉叶/如意莲瓣，口沿饰蓝黄相间的如意云纹带，足部亦有相应边饰。底足：外露圈足规整，内壁施白釉，有轻微积釉。款识：青花双圈内竖排六字楷书‘大清雍正年制’。品相：未见缺口、裂纹或冲线；无开片；足缘轻微磨痕。整体观感：釉面洁白明亮，彩绘工整标准化，近现代作风明显。
Keywords
Chinese porcelain, Yongzheng style, doucai, famille verte, yuhuchunping, Qing revival, Jingdezhen, reign mark, apocryphal mark, China
中国瓷器, 雍正风格, 斗彩, 五彩, 玉壶春瓶, 清代复古, 景德镇, 年款, 仿款, 中国
The report was edited after initial Artmink draft. Original AI draft preserved in Artmink audit history.
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